Twins of Evil -1971
Director
John Hough

Writers
Tudor Gates – screenplay
Sheridan Le Fanu

Starring
Peter Cushing
Dennis Price
Mary Collinson
Madeline Collinson
Isobel Black
Katleen Byron
Damien Thomas
David Warbeck
Harvey Hall
Katya Wyeth
Alex Scott
Judy Matheson
Luan Peters
Shelagh Wilcocks
Inigo Jackson

Review by The_Void

Peter Cushing: Witchfinder General,
Twins of Evil is without doubt one of Hammer’s very finest films. The film blends together a few different elements of horror. We’ve got witches (and the resulting witch hunts), devil worship and, of course, vampirism! These things combine to make one very nice Hammer film indeed. Naturally, the film benefits immensely from the incredibly beautiful ladies that play the twins of the title – Mary and Madeleine Collinson. The two are the ultimate in sweetness, which makes it all the better when one of them becomes more like the title suggests.

The plot is relatively simple given all the elements it combines. We follow Gustav Weil (Peter Cushing on fine form) as a religious man by day, and witch hunter/burner by night. The beautiful twins of the title go to live with him after the death of their parents. However, the village in which they live is beneath a castle, inside of which lives the evil devil worshipper; Count Karnstein.

Like most Hammer offerings, Twins of Evil is very camp and features a number of over the top performances – brilliant! Hammer Horror is at their best when they’re combining several things and tweaking classic stories, and that is what is done here.

Twins of Evil is a very original take on the classic vampire story and is therefore a lot of fun to view. It benefits from the direction of John Hough; the man who would later go on to make the seminal classic, “The Legend of Hell House”. I actually think he did a better job here than he did there, as I’ve never been a massive fan of that film anyway. For Twins of Evil, Hough has captured a foreboding and creepy atmosphere, through use of lots of smoke and a Gothic period setting that involves such favourite horror locations as graveyards and old castles. Hough has also given the film a very heavy handed score, which although gets a little silly, increases the camp value of the film and is therefore beneficial to the film.

Like many a great horror film, this one benefits from a fabulous finale, which includes numerous gory sequences including, most notably, a decapitation scene; which gorehounds are bound to find satisfying. I’m a big fan of Hammer horror, and I would certainly place this one among their top five best achievements.

Highly recommended viewing!