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Chisum – 1970
Andrew V. McLaglen

Andrew J. Fenady also story Chisum and the Lincoln County Cattle War

Andrew J. Fenady
Michael Wayne

John Wayne – John Simpson Chisum
Forrest Tucker – Lawrence Murphy
Christopher George – Dan Nodeen
Ben Johnson – James Pepper
Glenn Corbett – Pat Garrett
Andrew Prine – Alex McSween
Bruce Cabot – Sheriff Brady
Patric Knowles – Henry Tunstall
Richard Jaeckel – Jess Evans
Lynda Day George – Sue McSween (as Lynda Day)
Geoffrey Deuel – Billy ‘The Kid’ Bonney
Pamela McMyler – Sallie Chisum
John Agar – Amos Patton
Lloyd Battista – Neemo

Review by John Rouse Merriott Chard

Chisum, John Chisum!
Chisum is directed by Andrew McLaglen, written & produced by Andrew J. Fenady, and stars John Wayne, Forrest Tucker, Ben Johnson, Geoffrey Deuel, Bruce Cabot, Andrew Prine & Richard Jaeckel. Primary location for the shoot was at Durango in Mexico; with William H. Clothier photographing, and Dominic Frontiere provides the musical score.

Film is very loosely based on events and characters from the Lincoln County War of 1878 in New Mexico Territory. Which involved such characters like Pat Garrett, Billy the Kid, John Tunstall, Alexander McSween and others.

Hollywoodisation of the Lincoln County War and Billy the Kid mythology, Chisum is a fun and colourful movie. Tho not necessarily a John Wayne movie. Wayne may be the draw card here, and sure enough the political leanings of the narrative and iconography of the lead character; point to it being a big Duke Wayne vehicle. Yet he’s very much just an ensemble character, even on the periphery of things as the multi plot strands weave in and out of the story. But the film survives not over using the big man thanks to McLagen’s brisk direction and Clothier’s superb capturing of the Durango vistas. The cast have fun, and thankfully the big action pay off at the finale is well worth waiting for (cattle stampede-hooray!).

Big and brash for sure, even hokey into the bargain, but undeniably great entertainment for the undemanding Western fan. 7/10

Review by Bill Slocum

Wayne Rides Again

For those of us who love him, there’s something about a John Wayne movie that kind of makes it immune to criticism. You can fault his no-frills acting style, the pious patriotism, the oft-uneven supporting cast, the predictable fight scenes, But even a lesser Wayne film still has John Wayne, and for his fans, that’s nine-tenths of the battle in determining whether it’s a good film.

“Chisum” is not going to convert non-Duke fans. On its own merits it’s a serviceable western with good action sequences, some incredible vistas of the Mexican countryside (supposed to be Lincoln County, New Mexico) by cinematographer William H. Clothier, and an interesting if not always coherent storyline that places Wayne’s title character, John Chisum, as more of a remote icon than active player in the proceedings, especially in its second half. Much of the film focuses on young William Bonney (Geoffrey Deuel), a former gunman better known as Billy the Kid now trying to live “clean and forward, all the way” with the help of a fatherly rancher named Tunstall (Patric Knowles, Will Scarlet to Errol Flynn’s Robin Hood some 32 years before).

Geoffrey Deuel didn’t go on to much of a career after this, and it’s not hard seeing why. In “Chisum” his shallow characterization exudes no visible menace even after Bonney, well-provoked though not well-reasoned, turns against the law. I’m not sure how much of it was Deuel’s fault. The script works against him, setting Bonney up as a decent, humble guy to the point of boringness, and director Andrew V. McLaglen only adds to the emasculation by showcasing Deuel’s shy smile and his character’s rote romancing of Chisum’s niece. One scene freezes on Bonney holding a gun in one hand and a Bible in the other. I don’t think Marlon Brando could have acted his way out of Deuel’s bind.

Other actors come off better, especially Forrest Tucker as the chief heavy, Lawrence Murphy, who showcases an affable menace that makes him a good foil to Wayne’s straightforward Chisum; Glenn Corbett, who plays drifting gambler Pat Garrett, hard but decent, who joins Chisum and befriends young Bonney until he turns into The Kid again; and Christopher George, whose Dan Nodeen is a nasty bounty hunter obsessed with killing the Kid. One nice thing about this film is seeing these actors, all best known for TV series work, stretching out beyond their popular identities of the period. George makes the strongest impression as the cold-eyed Nodeen.

“You just had to kill him,” asks a sheriff when Nodeen brings in the body of a wanted man.
“No, less trouble that way,” Nodeen replies.

Ben Johnson and Richard Jaeckel also have their moments as companions to Chisum and Murphy respectively, as does Andrew Prine as a lawyer who switches sides halfway through. There are many other performances, too, most good and all detracting somewhat from Wayne at the center, though Chisum does assert himself from time to time.

“Chisum” may be too busy a film that way, with too rambling a focus even when its on Wayne. There’s one scene where Chisum looks after an old Commanche chief which should have been cut, while others need trims. But director McLaglen keeps a firm rein on things most of the time, and the story does move. His mentor was John Ford, but while McLaglen lacked Ford’s nuance and depth, he was better at delivering action sequences, both in terms of frequency and originality. “Chisum” gives you plenty of action, none better than the final battle at the Lincoln general store between Billy and the baddies with Chisum riding to the rescue.

The first time I saw “Chisum,” I was stuck at a sleepaway camp and hating life in general. Something about seeing John Wayne on a horse made the world seem right again, even if the film was kind of hokey with that silly title music and all. Years later, I still relish this film, in some ways more than I did then, despite its flaws. “Chisum” is not a showcase for Wayne’s greatness, like “The Searchers” or “Rio Bravo,” but it’s a nice film to have around for those of us who don’t need him justifying our love every time out.

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70s Films

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